The quartet, who distilled the very essence of the California vocal sound as it matured from straight pop to the greater sophistication of the second half of the s, were not an immediate success. The time was right for a debut album containing both of the hits, the earlier, undeserved miss and a great deal more, and that was If You Can Believe Your Eyes And Ears , produced by Lou Adler. Listening to the record again, what comes through is not just the extraordinary power of the group harmonies created by John and Michelle, Denny Doherty and Cass Elliot. American fans could believe their eyes and ears, and filled them with the Mamas and the Papas. So if you are interested in increasing the revenue of your online business, you must take the help of an SEO agency in Singapore. Then they suggest tailor-made solutions to suit your requirements and budget. Looking through this article reminds me of my previoys roommate! He always kept talking about this. I will send this information to him.


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In , it was ranked number [1] on Rolling Stone magazine's list of the greatest albums of all time , with its rank rising to number in the revision. The mono mix of the album was remastered and reissued on vinyl by Sundazed Records in , and on CD the following year. The cover art was produced and shot by photographer Guy Webster.
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More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. Folk Rock , Pop Rock. Bones Howe Engineer. Guy Webster Photography By. Lou Adler Producer. Peter Pilafian Violin. John Phillips Written-By. Leader John Phillips rehearsed the group for months in the Virgin Islands afore recording these carefully sculpted songs and the craftsmanship shows.
In the spring of , If You Can Believe Your Eyes and Ears represented a genuinely new sound, as fresh to listeners as the songs on Meet the Beatles had seemed two years earlier. But the rest is mighty compelling even to casual listeners, including the ethereal "Got a Feelin'," the rocking "Straight Shooter" and "Somebody Groovy," the jaunty, torch song-style version of "I Call Your Name," and the prettiest versions of "Do You Wanna Dance" and "Spanish Harlem" that anyone ever recorded. The work was all spontaneous and unforced here, as opposed to the emotional complications that had to be overcome before their next sessions. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy.